Throughout my life, I have always sought the pleasure of music; as an art director working with bands, as a teenager record hunting with friends, or as a very young child, stacking records on an old Dansette

For the last decade, I have created ideas and artwork predominantly for the music industry and independent record labels. Commissioned projects include art for products like monitors, pedals and turntables, as well as record covers and bespoke box sets for musicians like The Mars Volta and Omar Rodríguez-López

An advocate of blockchain technology, much of my work is minted to the etherium blockchain, not only time-stamping the work’s creation date and provenance, but also joining an eclectic movement of artists in celebrating a digital renaissance

Working collaboratively, I have been invited to make a portrait of cryptoartist Alotta Money for a charity fundraiser. As a guest of the international artist collective, The Guild, I created artwork for the generative music nft, Dream Recorder. And, working together with long time collaborator plutonic mind, I have created animated and layer-generative audiovisual artworks

Present on all major cryptoart platforms, my work is in the collections of some of the scenes top collectors. Commissioned artworks for The Mars Volta and Omar Rodríguez-López have been entered by the musicians for The Grammy awards, and have featured at the Reeperbahn Festival in Hamburg, Germany. And most recently, my artwork Self-Portrait In A Convex Manner has been accepted into the permanent collection of the prestigious art history museum, Künsthistorisches Museum Wien in Vienna, Austria

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